I received a review copy of the e-book from the publisher. It will be released March 20, 2018 and is available for pre-order now.
Djinn is a twisty page-turner about magic and identity, rooted in folklore but with a 21st century spin. The unfolding tale keeps the reader guessing right to the end.
Bijou Fitzroy just wants to fit in. She knows she’s different, perhaps mentally ill; she constantly shuffles cards to calm her nerves, she’s hypersensitive to the feelings of others, and her color-changing eyes seem to freak people out. She has no idea what’s wrong with her, and Gigi, the wealthy, uncannily young grandmother who raised her, isn’t telling. Home-schooled until the age of 16, everything she knows about high school comes from Buffy the Vampire Slayer. So when she moves to the small town of Sykesville and enrolls in public school for the first time in her life, she hopes to make friends, go to parties, maybe have a boyfriend. She thinks her wish has come true when she meets Sebastian and Amina Sinjin, though she can’t tell what Sebastian is feeling. Her teacher Mr. Jennings has it in for her, and seems to think A Midsummer Night’s Dream is non-fiction. And what’s up with mean girl Mandy, who takes an immediate dislike to Bijou? Is she only jealous about Sebastian, or is something more going on?
When Bijou learns that local girls who share her birthdate have been disappearing, she can’t resist digging into the mystery. What she learns causes her to question everything she thought she knew about her family, her new friends, and most of all, herself. It’s possible she’s not only different; she may be the Chosen One. Who can she trust when no one is what they seem? What looks at first like petty teenage rivalry turns out to have earth-shattering stakes, and Bijou has to choose: escape to safety or risk everything to protect those she has come to care about.
Bijou’s story, like Buffy’s before her, applies a magnifier of myth and magic to typical adolescent issues of identity, belonging, and empowerment. Author Kromah widens the folklore scope to include African (specifically, Liberian) sources, enriching material that may be familiar to some readers and new to others. And this satisfying book’s ending is temptingly left open for sequels. More? Yes, please!