Tag: champagne honeybee

Square Pig in a Round Hole-August 20, 2016

Square PigNaming a band is an act of concentrated creative expression. Square Pig in a Round Hole exists to reward five favorite band names each week. Winners are listed alphabetically. Selection is wholly unscientific and subject to whim, with a bias toward wordplay, humor, and local flavor. In most cases, I won’t know anything about the bands at the time of selection. Thanks to the Seattle Times club listings for abundant source material!

As usua14054183_1354569261239712_4324214653806303752_nl there were many engaging band names in the newspaper and I managed to pick five. The one show I know I’m going to (because I’m in it) was not in the club listings, but rather in the Books section. On Wednesday, August 24, I will read from my novel THE GOSPEL ACCORDING TO ST RAGE and perform acoustic arrangements of songs from the book with Your Mother Should Know, Seattle’s only St. Rage cover band. The show starts at 7:30 p.m. at the Common Good Cafe at University Temple United Methodist Church. But enough shameless self-promotion! What about those five band names?

Acoustic Exile

If you’re playing acoustic punk rock, I imagine you might feel like an exile from both communities. Which is as punk as it gets. (And wow, I feel right at home with this, having played in an acoustic living-room band in the past and getting ready to play acoustic arrangements of garage-rock songs in a few days. It’s a very friendly exile.)

Champagne Honeybee

Classy and sweet with a sting. Or an upscale paint color AKA “yellow.”

Everybody Panic

What comes after the failure of Plan Z.

In God We Rust

Hard to remember during our brief, glorious summer, but the joke about Seattleites is we don’t tan, we rust. Our God rains.

Surf Monk

I picked this one because I like how it sounds like surf punk while evoking an image of a Fransican friar hanging ten. The reality is even better: “A Surf band that plays the music of Thelonious Monk, as well as referencing some iconic bass lines that “mash-up” with Monk’s famously obtuse melodies.”